Odlomak 21

(William Faulkner, Light in August)

The days were the same as they had ever been. He went to work at half past six in the morning. He would leave the cabin without looking toward the house at all. At six in the evening he returned, again without even looking toward the house. He washed and changed to the white shirt and the dark creased trousers and went to the kitchen and found his supper waiting on the table and he sat and ate it, still without having seen her at all. But he knew that she was in the house and that the coming of dark within the old walls was breaking down something and leaving it corrupt with waiting. He knew how she had spent the day; that her days also were no different from what they had always been, as if in her case too another person had lived them. All day long he would imagine her, going about her housework, sitting for that unvarying period at the scarred desk, or talking, listening, to the negro women who came to the house from both directions up and down the road, following paths which had been years in the wearing and which radiated from the house like wheelspokes. What they talked about to her he did now know, though he had watched them approaching the house in a manner not exactly secret, yet purposeful, entering usually singly though sometimes in twos and threes, in their aprons and headrags and now and then with a man's coat thrown about their shoulders, emerging again and returning down the radiating paths not fast and yet not loitering. They would be brief in his mind, thinking Now she is doing this. Now she is doing that   not thinking much about her. He believed that during the day she thought no more about him than he did about her, too. Even when at night, in her dark bedroom, she insisted on telling him in tedious detail the trivial matters of her day and insisted on his telling her of his day in turn, it was in the fashion of lovers: that imperious and insatiable demand that the trivial details of both days be put into words, without any need to listen to the telling. Then he would finish his supper and go to her where she waited. Often he would not hurry. As time went on and the novelty of the second phase began to wear off and become habit, he would stand in the kitchen door and look out across the dusk and see, perhaps with foreboding and premonition, the savage and lonely street which he had chosen of his own will, waiting for him, thinking   This is not my life. I dont belong here

Odlomak 19

(William Faulkner, Light in August)

When she was tvelve years old her father and mother died in the same summer, in a log house of three rooms and a hall, without screens, in a room lighted by a bugswirled kerosene lamp, the naked floor worn smooth as old silver by naked feet. She was the youngest living child. Her mother died first. She said, “Take care of paw.” Lena did so. Then one day her father said, “You go to Doane's Mill with McKinley. You get ready to go, be ready when he comes.” Then he died. McKinley, the brother, arrived in a wagon. They buried the father in a grove behind a country church one afternoon, with a pine headstone. The next morning she departed forever, though it is possible that she did not know this at the time, in the wagon with McKinley, for Doane's Mill. The wagon was borrowed and the brother had promised to return it by nightfall.

The brother worked in the mill. All the men in the village worked in the mill or for it. It was cutting pane. It had been there seven years and in seven years more it would destroy all the timber within its reach. Then some of the machinery and most of the men who ran it and existed because of and for it would be loaded onto freight cars and moved away. But some of the machinery would be left, since new pieces could always be bought on the installment plan—gaunt, staring, motionless wheels rising from mounds of brick rubble and ragged weeds with a quality profoundly astonishing, and gutted boilers lifting their rusting and unsmoking stacks with an air stubborn, baffled and bemused upon a stumppocked scene of profound and peaceful desolation, unplowed, untilled, gutting slowly into red and choked ravines beneath the long quiet rains of autumn and the galoping fury of vernal equinoxes. Then the hamlet which at its best day had borne no name listed on Postoffice Department annals would not now even be remembered by the hookwormridden heirs at large who pulled the buildings down and burned them in cookstoves and winter grates.